Franz Kafka's The Metamorphosis is one of the greatest and most influential novellas of the twentieth century. It has fascinated readers for more than a century because of its unusual beginning and its profound exploration of human existence. A young travelling salesman wakes up one morning and discovers that he has transformed into a gigantic insect. The story appears strange, a fantasy and even unbelievable. It begins: "One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin." Kafka never explains why Gregor undergoes this transformation. There is no magical spell, no scientific experiment, and no divine punishment. Instead, he uses this shocking transformation as a literary device to explore the realities of modern human life. The insect is only a symbol to denote loneliness, alienation, identity, family relationships, and the pressures of moder...
Literature and visual art have been connected for many centuries. They have many similarities, but they are also different. Writers, artists, readers, and viewers think about many questions. They ask about form and content, words and images, adaptation, translation, rewriting, originality and influence, and the roles of the creator and the audience. Literature and art both cross the boundaries between words and images. The French artist Henri Matisse once told his students that a person who wants to become a painter should "cut out his own tongue," meaning that painting should speak without words. But later, in his 1947 book Jazz, he included handwritten text with his colourful artworks. He wrote that the words were only there to accompany the colours, just like small flowers decorate a bouquet. However, by using words to explain his paintings, Matisse showed that art alone sometimes cannot express everything. His explanation also shows a...